You are sitting in a dim-lit basement as an actor begins to read you a story. Yes, you, and only you. You’re on your own here. All those other figures you perceive listening intently all around you? Figments of your imagination, born out of your longing for company, for someone else to say I’m here too, I hear this too. It’s been so long since you’ve felt a human touch. Your pet snake is a darling, but you question its loyalty. Did you feed it today? You left the house in a hurry. Could it be hungry? As you ponder this, you notice the actor seems mildly peeved at your drifting attention. Actors are such needy creatures. Focus, don’t be rude. The actor pauses expectantly, seeming to wait for some kind of sign from you.
How do you respond?
A) You nod encouragingly.
B) You nod dismissively.
C) You nod neutrally.
The actor nods back. They resume reading faster now, as if in a hurry to reach the end. What is the story about, anyway? There is no sense of structure, or is that because you weren’t paying attention? Was there something said about Anastasia? Who’s Anastasia? Or was that I wanna tase ya? Are you in danger? You hope you didn’t pay a ticket to be harassed and humiliated. That’s not your flavour of immersion. You look into the thespian’s eyes, searching for meaning. Interminable minutes pass and you come up empty-handed and more than a little bored. This was not worth the hype.
You look to the exit, weighing your options:
A) You could just get up and head out, social etiquette be damned.
B) You could wait this out, daydreaming about lasagna.
C) You could have another drink, and another, until it all makes sense.
You could, but you don’t, because at this precise point the power cuts out and the door slams shut. It’s pitch black and dead silent. You can’t even see your own hand that you wave in front of your face. There’s something about this new sudden state of being that feels unreal and familiar at the same time. Unreal because how often have you found yourself in such total uninterrupted absence of sight and sound? Familiar because it’s a reversion to the first principles of survival, when every rustle or flicker could mean an abrupt violent death. This is different to the restless stillness in the middle of the night. It’s a carnivorous type of quiet. Something big is about to happen.
You turn to the stage and clear your throat to say:
A) “Are you ok? Has this happened before?”
B) “This isn’t funny. You better believe I’m asking for a refund.”
C) “Finally. Kiss me now.”
Your voice is drowned in blinding lights and piercing sirens that flood and scramble your senses. You blink in stupefaction, feeling like a cornered beast. You are beleaguered by distorted images from your childhood, each more distressing than the last, until they feel like someone else’s sadistic showreel. You manage to snap out of the maelstrom of memories only to be confronted with blurry shapes bearing down on you from all sides, clicking and chittering in unison. It’s time to act!
Choose your defence mechanism:
A) Fight.
B) Flee.
C) Freeze.
Resistance is futile. Before you know it, they have pinned and strapped you to a cold surface. You’re moving fast, wheeled though a series of unremarkable hallways until you’re brought into a room with a floor-to-ceiling window. You can see your reflection. You’ve looked better. You can also have a closer look through it at some of your captors. They are leaning forward, ready to speak.
What do you think they are?
A) Kafkaesque insectoids.
B) Spielberg-esque extraterrestrials.
C) Scooby-Doo-esque humans in monster suits.
Whatever their nature, their speech is booming, seeming to emanate from the inside of your head more than the room itself. “You called upon us in your hour of need. We know you. We have been listening for the longest time and here you are, at last. We are willing to provide. We have the answers. We hold the keys. Your long-harboured longing can now be met. All you have to do is lend voice to your cravings. Let them be shameful no more. There is no judgement here, only release. Speak your truth.”
What do you have to say for yourself?
A) Speak your truth.
B) Lie your heart out.
C) This is so cringe. Hold your tongue.
Their response is a bout of derisive laughter. Your straps are undone and you’re on your feet, scrambling to move away from their mockery. “Stop it”, you scream, “leave me alone!”. You try the door and it’s unlocked. You break into a bone-shattering sprint, footsteps echoing on hard tiles. You’re exhausted and frenetic. Your skin is stretched thin and your temples are throbbing. As you titter on the edge of obliterating panic, you come upon a set of two doors.
What is it that compels you to take the door on the left?
A) Brain patterns rapidly firing adrenaline into your bloodstream.
B) The ineffable wisdom of your eternal soul.
C) We might never know, so stop asking.
As it happens, the door on the left leads to a deep, dark hole. You fall face-first into something soft and disturbingly sticky. Unfortunately, the torches lining the walls illuminate this scene more than you’d like right now, because you can see all too clearly that you have landed on top of a mound of bloodied rotting remains. The stench is overbearing. “Oh, fuck off”, you sigh. Behind you something stirs and growls and lifts itself to its full height. You slowly turn to face its many-limbed misshapen majesty.
How do you address the presence before you?
A) Pee yourself.
B) Pee yourself.
C) Pee yourself.
You are more thankful than ever that yours is far from the only smell in the chamber. Its putrid breath makes your eyes water. You wait for the pain that is sure to come as you are torn limb from limb and tossed aside. Instead, you look up to see a wide, jagged-toothed smile. It wraps its multitude of claws around you and lifts you up into a cradling embrace. Its delicate drips of drool cleanse you from your fear. Shhh, it hisses, lulling you into lethargy. This wouldn’t be such a bad way to go, you think as you sink into unconsciousness. You are back inside the womb, secure, serene and well fed, warm in amniotic elation.
What are you dreaming of?
A) A better world.
B) Those who are no longer with us.
C) Nothing. Oblivion is beautiful.
You’d sleep forever were it not for the growing ripples of cacophonous clapping slicing through your blissful suspension. You are forcefully dragged out to drop with a resounding crash to the floor. You pick yourself up in great effort to observe the audience lost in a rapturous standing ovation. You are shivering and drenched in sweat, barely standing.
How do you reward the audience's enthusiasm?
A) Bow and twirl gracefully.
B) Curl up in a corner with your back to everyone, crying and rocking back and forth.
C) Adopt the time-honoured deer-in-headlights look.
They're loving it. You step off the stage, needing some time to calm and congratulate yourself for making it through. The excited chatter dies down giving way to curious whispers. Your ears stop ringing. Your fists become unclenched. Your gaze locks onto the spot where your table is ready. Your feet take you there. Your body collapses in your seat. The lights are fading once more. Your attention is turned towards the host as they introduce the upcoming act. You are sitting in a dim-lit basement as an actor begins to read you a story. Yes, you, and only you.